Last September I was able to try my friend JP’s pen with an Architect nib grind, something I asked him to look into making a few years ago. It was love at first write, when I tried out his TWSBI Vac with the architect nib. I remembered that I do have one pen with a broad nib, my Sailor Progear Mini Morita, so I sent it to him for a regrind. I got it back yesterday and I really love how it turned out.
If you’re wondering what an architect nib grind looks like compared to a stub or a cursive italic nib, here’s a comparison. That’s a left oblique cursive italic, since I like to hold the pen at an angle when using wide nibs.
Architect nibs are ideal for people who like to write with block letters, like I do. It produces different line variations when upright and slanted. It’s basically the opposite of a cursive italic nib, producing wide horizontal strokes and thin vertical strokes. Here’s are a few close ups of the writing sample of an architect nib.
The line variation is more pronounced when you write with upright characters. When slanted, it’s almost like you’re writing with a boxy nib.
By comparison, here’s a close up of a 1.1mm stub (Bexley Corona with a Goulet #6 stub). The line variation is virtually the opposite of an architect grind (narrow horizontal lines, wide vertical lines), though I hold my pen at an angle so it appears a bit slanted. The resulting edges are more rounded than the architect nib’s crisp edges.
Here’s a close up of the left oblique cursive italic nib (Cross Century II, medium, reground by JP). It’s a crisp cursive italic but customized for a right-handed writer who wants to use it at a tilted angle. Here’s a blog entry I wrote about my first left oblique cursive italic nib.
Here’s a photo of the nib’s profile. The architect nib is also called Hebrew and Arabic nib because the line variations produced is suitable for their characters. It’s actually also quite suitable for Baybayin. If you want your pen reground to an architect nib, it’s best to provide JP with a broad nib. Anything smaller wouldn’t show off the line variation as well as a broad nib would. This one’s a Japanese broad (so, more like a medium, really).
Overall, I love it because it gives my block letters a different look and feel from stubs and CIs. It has a very unique character to it, and it suits my handwriting very well. If you’re not fond of block letters and you like to write in script, you might find this kind of grind hard to use, though I would still recommend that you try it. I’m glad JP did such a good job on my pen. I’ll probably buy a TWSBI and get that reground to another architect nib. 🙂
If you’re in the Philippines and you’d like to have your fountain pen nibs reground or repaired, you may visit JP’s Facebook page at JP’s Pen Spa and Nibworks.