Today I practiced some italic calligraphy. Truth be told, I struggle with anything that looks flow-y. It feels as unnatural to me as forcing myself to write with my left hand, and I often come out at the end of it feeling frustrated and tired. Not frustrated enough to quit, though. 🙂
The poem Joy and Sorrow is one of my favorite poems. I learned to read at a very young age, and since my mom is a voracious reader, I often putter about her bookshelves looking for things to read. I think I was in third grade when I first came across her collection of Khalil Gibran poems, and this particular one really caught my attention. The lyrical quality of the words and the way they painted a picture in my mind started a lifelong fascination with poetry.
On Joy and Sorrow
by Khalil Gibran
Your joy is your sorrow unmasked.
And the selfsame well from which your laughter rises was oftentimes filled with your tears.
And how else can it be?
The deeper that sorrow carves into your being, the more joy you can contain.
Is not the cup that holds your wine the very cup that was burned in the potter’s oven?
And is not the lute that soothes your spirit, the very wood that was hollowed with knives?
When you are joyous, look deep into your heart and you shall find it is only that which has given you sorrow that is giving you joy.
When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight.
Some of you say, “Joy is greater thar sorrow,” and others say, “Nay, sorrow is the greater.”
But I say unto you, they are inseparable.
Together they come, and when one sits alone with you at your board, remember that the other is asleep upon your bed.
Verily you are suspended like scales between your sorrow and your joy.
Only when you are empty are you at standstill and balanced.
When the treasure-keeper lifts you to weigh his gold and his silver, needs must your joy or your sorrow rise or fall.
Pen: Nemosine Neutrino with 1.1mm nib
Ink: The pen is loaded with Diamine Amber, then I dip the tip of the nib in De Atramentis Thomas Alva Edison for the red variation.