Tag: fountain pen ink review

Review: Kyo No Oto Kokeiro

I was trying my best to save this review for last, like the fountain pen ink version of the marshmallow test, but my EQ is low haha. I’ve always had a soft spot for olive green inks, especially those that have a lot of the yellow component in them. This is why the Kokeiro ink from the Kyo No Oto line is so attractive to me.

Kyo No Oto Kokeiro

The color reminds me of a cross between Alt Goldgrun and Diamine Wagner. It’s the color of shelled pistachio nuts. It’s light yellow-green in some places, darker green in some, with a little bit of that gorgeous golden tinge that gives it a nice glowing quality. The color is really eye-catching, especially on ivory-colored paper. The flow is quite wet. I used it in my Sheaffer Lifetime with a fine nib, and it flowed really well. It dries moderately fast at about 20 seconds on tomoe river paper. It’s saturated enough to make it easy to read, it’s a good enough ink to use for daily writing. It’s well-behaved and has very expressive shading. The shading is quite obvious even with a fine nib. It’s not water resistant, though it does leave behind faint light green lines. If you like olive green inks, this is such a nice color to have. Here are a few close ups of the writing sample.

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Aonibi

Kyo No Oto Aonibi

Here’s another nice blue ink from the Kyoto ink samples I got from Everything Calligraphy. This one’s from the Kyo No Oto line, and it’s called Aonibi. It’s a dark blue ink, quite in the neighborhood of blue black, though not too highly saturated. It’s a nice ink to use for daily writing, even for work because it’s a sufficiently-saturated, well-behaved kind of blue. Not a crazy shade, just a dark blue ink that doesn’t necessarily stand out except for the subtle shading. The drying time is pretty fast at about 10 seconds, though I did use a European fine nib for the writing sample. I would put the flow at slightly dry to moderate. Here are a few close ups of it.

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Birmingham Inks Point Park – Fountain Turquoise

Finally, I found time to post this review. I really enjoyed trying out this ink. I’m afraid the photos didn’t really do justice on how pretty this ink is. It’s really better to enjoy it in person. Anyway, I’ll try my best.

Birmingham Inks - Point Park - Fountain Turquoise

Fountain Turquoise is quite a pretty ink. It kind of reminds me of Pilot Iroshizuku SyoRo when it dries, without the sheen. It’s a simpler version of it, I think. A nice blue-green color that tilts just a little bit towards the green side of the spectrum. It’s sufficiently saturated to make it suitable for daily writing, even for work-related notes, but the color is ambiguous enough to give you pause and wonder about it. I love the flow as well, it’s a moderate to wet-flowing ink. It dries relatively fast at 15-20 seconds, without noticeable feathering. It’s a head-turner, for me. It’s not water-resistant, though it leaves behind a faint, purplish line. It washes away pretty easily. Here are a few close ups of the writing sample.

Birmingham Inks - Point Park - Fountain Turquoise

Birmingham Inks - Point Park - Fountain Turquoise

Birmingham Inks - Point Park - Fountain Turquoise

Birmingham Inks - Point Park - Fountain Turquoise

Birmingham Inks - Point Park - Fountain Turquoise

Birmingham Inks - Point Park - Fountain Turquoise

Birmingham Inks are available exclusively at Everything Calligraphy.

Ink Review: Pilot Iroshizuku Fukugawa Nezu

Pilot Iroshizuku Limited Edition Itoya Inks

Here is another one of this year’s limited edition inks from Pilot Iroshizuku. It’s called Fukugawa-Nezu. It’s a grey ink that’s quite cool to the eyes but still saturated enough so that it’s easy to read. I think it’s a pretty shade of grey, and reminds me of the color of a koala bear’s fur.

Pilot Iroshizuku Fukugawa-Nezu

Pardon the wobbly drawing. I iz tired, gaaah.

Anyhoo, I like that this ink is almost silver in color. The only grey ink I have in my collection is Stormy Grey. I’m not much of a grey ink user so I never thought of adding more to it. This seems a bit lighter in color than Stormy Grey’s base color. It has some shading, though not very expressive. There’s  also no noticeable sheen.

This ink flows pretty well, but it dries fast too (around 10 seconds with a cursive italic fine nib). What’s pretty remarkable is that it’s water resistant.

Pilot Iroshizuku Fukugawa-Nezu

Pilot Iroshizuku Fukugawa-Nezu

Coolness. The color would probably make it an interesting ink to use for pen and wash paintings (if you want your lines to be less obvious than black ink) or for pen and ink sketches.

Here are a few close ups of the writing sample.

Pilot Iroshizuku Fukugawa-Nezu

Pilot Iroshizuku Fukugawa-Nezu

Pilot Iroshizuku Fukugawa-Nezu

Pilot Iroshizuku Fukugawa-Nezu

Overall, I like it the ink because it’s readable but stands out as a grey ink, not just a washed out black ink. Also, it’s water resistant so I can really use it for drawings and watercolor paintings in my journal.

Iroshizuku Fukugawa Nezu and other limited edition inks are available at Everything Calligraphy.

Pen used: Franklin Christoph pocket 40, steel cursive italic (fine) nib
Paper: Tomoe River white

Review: Robert Oster Golden Antiqua

Wow. This is another interesting ink color in the lineup of Robert Oster Signature Inks. Golden Antiqua reminds me so much of Pilot Iroshizuku Ina Ho, except it’s more saturated (more brown than golden yellow) so it’s easier to read. It also reminds me of the color of wheat. It’s a color that reminds me of so many things in nature. Look at that gorgeous shading too. It’s a very eye-catching ink that makes you want to look closer. My first impression of it was now THIS is what golden brown should look like.

Robert Oster Golden Antiqua

Among the other Robert Oster Inks, this one is just a teeny-tiny bit dry compared to others. It doesn’t have problems with the flow, but it just feels a bit dryer by comparison to the other inks that I tried. I think it’s pretty impressive that these Robert Oster inks all have great flow, all are pretty well-behaved, and they all have really great, vibrant colors. This is a nice, golden brown ink that somehow seems almost like it’s gleaming, even if it has no shimmer. It has gradations of dark golden brown to light golden yellow, which makes for very expressive shading. It also has the slightest, nearly imperceptible silvery sheen if you use a wet nib on good paper It’s very suitable for regular writing, you don’t have to struggle to read it. It’s nicely saturated without losing its beautiful golden hues. Drying time is pretty short, like the other Robert Oster inks that I tried–a bit over 10 seconds even on a wet medium nib and Tomoe River paper. It’s also not water resistant. I wish Robert Oster will make waterproof inks in the future. I would be so down for that. Anyway, here are a few close ups of the writing sample: Robert Oster Golden Antiqua

Robert Oster Golden Antiqua

Robert Oster Golden Antiqua

Robert Oster Golden Antiqua

Robert Oster Golden Antiqua

Robert Oster Golden Antiqua

Robert Oster inks are exclusively distributed in the Philippines by Everything Calligraphy.