Tag: ink review

Review: Robert Oster Plumb Nut

Robert Oster Plumb Nut

A few days ago, I tried out my sample of Robert Oster Plumb Nut. Aside from the little dab of ink on the cap, I didn’t really know what to expect because I’m not sure what a plumb nut is. I used my Sailor Sapporo Progear Slim with a medium nib and (after getting acquainted with the color a bit more) a Lamy Studiio with a 1.5 mm nib. Right off the bat, I like that it’s a pleasant old rose color. It’s a mellow kind of pink, a bit dusky, with a slight hint of purple. It has beautiful deep pink shading, and no sheen. When I first tried it with my Sailor pen, it felt thin, almost watery. It doesn’t bleed or go all over the place, but it felt watery on paper as I wrote, so my nib felt like it’s gliding on the surface of the paper. I reversed my nib to see how it would look like in an xf nib (or maybe closer to a needlepoint) and it flowed quite wet too. I also used it with a 1.5 mm Lamy nib to see how it will hold up with a wider nib.

Robert Oster Plumb Nut

The nib never ran dry, and it showed off the gorgeous characteristics of the ink. Even if the ink’s consistency felt watery, the saturation is not too light. It darkened a bit after drying, but remained a pleasant pop or color on paper. It also dried up pretty quickly at about 10 seconds or so using the medium nib on Tomoe River paper. It’s also not water resistant.

Here are a few close ups of the writing sample:

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Robert Oster Plumb Nut

Plumb Nut and other Robert Oster Signature Inks are available at Everything Calligraphy.

Review: Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

I was thinking about which Robert Oster ink to review next and I decided to do Marrone Mustard. I was really expecting something more on the yellow side, as in the commercial mustard that we commonly find in the condiments section of the grocery store. When I put my pen on paper, though, I was pleasantly surprised to see that it’s predominantly brown. A quick Google search on the word Marrone informed me that it’s Italian for brown. The Marrone Mustard ink is a brown mustard color, which is a nice golden brown. It’s pretty striking, especially because it has such expressive shading.

Robert Oster Marrone Mustard

It looks gorgeous on paper, especially in person. The shades of the ink ranges from a soft mustard yellow to a warm brown. I suggest you use a wet medium nib so you can appreciate the shading and the complexity of the color even more. It reminds me of the color of leaves turning. The ink grows a little bit darker a few hours after it dries up on paper. I’ve tried it on my journal which has ivory colored Tomoe River paper and my oh my, it’s gorgeous.

The flow is almost moderate but a tiny bit on the dry side. It’s also not very water resistant, making it a nice ink to use for pen and wash drawings. The water brings out more of the reddish component of the brown tones, though. The wash looks more orange-y than brown or yellow.

Here are a few close ups of the writing samples:

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Robert Oster Marrone Mustard

Overall, I find this ink very, very beautiful. I must add it to my personal collection. It’s the kind of ink I want to write many letters and journal entries with.

Robert Oster inks are exclusively distributed in the Philippines by Everything Calligraphy.

Review: Robert Oster Blue Denim

Robert Oster Blue Denim

The wonderful people at Everything Calligraphy sent over a few samples of Robert Oster Signature inks, and I’m eager to try them all out! It’s very noticeable that Robert Oster make beautiful blue inks, so vibrant that the color jumps out at you from the paper. I was expecting a “Blue Denim” ink to be more on the blue black side, but this is a brilliant blue, much like turquoise. It’s a beach-y color that looks so happy, you can’t help but smile when you look at it. It’s also nicely saturated, so it’s not difficult to read. It looks like a great standard ink for daily use. In person, it has pronounced shading.Here’s what it looks like in my Elias pen and ink journal:

Robert Oster Blue Denim

There’s a slight red sheen on it, not too pronounced, but if you use a wet nib you can see the halo around some parts of the letters. I love ink with subtle sheen like this. It makes your strokes on paper look more like painted-on letters. The contrast between light  blue, dark blue, and red sheen on this ink is just beautiful.

I would put the flow at a medium to wet. It’s not extremely wet, but it does take a little over 20 seconds to dry on Tomoe River paper, using a medium nib. There’s very little water resistance here, a few seconds after letting the water droplets sit on paper, it all but washed away most of the ink. Leaving a very pale blue outline. It makes for nice pen and wash drawings, though.

Here are a few close ups of the writing samples:

Robert Oster Blue Denim

Robert Oster Blue Denim

Robert Oster Blue Denim

Robert Oster Blue Denim

Robert Oster Blue Denim

Robert Oster Blue Denim

I love that even after sitting a few days, the ink doesn’t look dull after it dries. It remains vibrant on paper, close to how vibrant it was after writing. I used to dislike blue inks, but after trying a few that are interesting to look at, I’ve become a fan of the color. Robert Oster’s blue inks is a great place to start if you’re looking for interesting, great-flowing blues.

Robert Oster inks are available at Everything Calligraphy.

Kyo Iro and Kyo No Oto Roundup

Kyo Iro and Kyo No Oto Inks

The past few weeks, I’ve had the pleasure of trying out all the different colors of Kyo Iro and Kyo No Oto. It was really a lot of fun, and while I enjoyed trying all of them out, a few of them really stood out for me as my favorites.

Kyo Iro Soft Snow of Ohara

Kyo-Iro Inks - Soft Snow of Ohara

I really love this blue. I don’t think I have a similar shade of it in my ink collection. It’s a mellow kind of blue that has purple tones. It really pops out of the page for me, I love seeing an entire page written with this ink. Simply lovely.

Kyo Iro Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

This one’s really easy to like. It’s a beautiful shade of terracotta, and it stays so vibrant on the page. The shading is so expressive too.

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

No surprises here, I guess? It’s a light olive green ink that has beautiful shading. It flows a bit on the dry side, but works beautifully with the right pen.

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

I am quite surprised that I ended up liking this ink so much. I’m not big on yellow inks at all. In fact, I don’t think I have any yellow inks. This one’s a beautiful, earthy yellow though. You need to see this in person, on paper, to fully appreciate how beautiful it is.

Overall, both lines have really interesting colors. The collection is quite varied and the inks have their own personalities, so to speak. I had such a great time reviewing them, thanks to the wonderful people at Everything Calligraphy for the samples.

Ink Swabs Kyoto Inks

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

The next ink I’m reviewing from the Kyo No Oto line of Kyoto Inks is Nurebairo. At first I was a little confused by it because I really thought it’s blue black. Under fluorescent light, it does look like a very dark blue. Under natural light, it’s clearly a black colored ink with blue undertones. The ink feels quite thick to me, so it flows a bit on the dry side. It also has some copper sheen, although the sheen seems equally distributed along the lines that I draw. Much like what happens when the ink doesn’t have expressive shading. For me, the effect is that the ink looks more glossy than sheeny on paper, much like how india ink would look like when dry. Here’s a short clip on the copper-colored sheen on Tomoe River paper. Keep in mind that the sheen of any ink can be seen if you use the right combination of ink, pen, and paper. More absorbent paper and dry-writing nibs most probably won’t show off the sheen-y properties of ink.

The ink dries relatively slow at 25 seconds or so. It’s also not water resistant. This is a nice, rich black if you want something that’s not watery-looking for your everyday writing. It doesn’t show off much shading, though the little shading it has shows a color of dark bluish grey. I know many people like myself who like black ink to be black like tar or jet black. This would be just the right legit black for your legit black ink needs. Here are a few closeups of the writing sample:

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyo No Oto Nurebairo

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed: