Tag: kyoto inks

Kyo Iro and Kyo No Oto Roundup

Kyo Iro and Kyo No Oto Inks

The past few weeks, I’ve had the pleasure of trying out all the different colors of Kyo Iro and Kyo No Oto. It was really a lot of fun, and while I enjoyed trying all of them out, a few of them really stood out for me as my favorites.

Kyo Iro Soft Snow of Ohara

Kyo-Iro Inks - Soft Snow of Ohara

I really love this blue. I don’t think I have a similar shade of it in my ink collection. It’s a mellow kind of blue that has purple tones. It really pops out of the page for me, I love seeing an entire page written with this ink. Simply lovely.

Kyo Iro Moonlight of Higashiyama

Kyo-Iro Inks - Moonlight of Higashiyama

This one’s really easy to like. It’s a beautiful shade of terracotta, and it stays so vibrant on the page. The shading is so expressive too.

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

No surprises here, I guess? It’s a light olive green ink that has beautiful shading. It flows a bit on the dry side, but works beautifully with the right pen.

Kyo No Oto Yamabukiiro

Kyo No Oto Yamabukiiro

I am quite surprised that I ended up liking this ink so much. I’m not big on yellow inks at all. In fact, I don’t think I have any yellow inks. This one’s a beautiful, earthy yellow though. You need to see this in person, on paper, to fully appreciate how beautiful it is.

Overall, both lines have really interesting colors. The collection is quite varied and the inks have their own personalities, so to speak. I had such a great time reviewing them, thanks to the wonderful people at Everything Calligraphy for the samples.

Ink Swabs Kyoto Inks

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Kyo No Oto Imayouiro

Kyo No Oto Imayouiro

The last Kyo No Oto ink that I will review is this cute pink ink called Imayouiro. It’s an intense pink when wet but it dries to a more mellow, suitably saturated pink. Dark enough to be easily readable, but also light enough to look a bit delicate on paper. It’s not a screaming neon pink color, but something that would look nice with calligraphy or in combination with other darker inks on a page.

The flow is pretty wet on a medium nib. It’s also quite well-behaved. It’s not all over the place, doesn’t feather or bleed through. It dries relatively fast at 15 seconds or so. It’s not water resistant. It’s got beautiful shading, though not really what I would call expressive or with a complex range of colors. It’s a pretty standard, nice-flowing, saturated pink ink. Here are a few close ups of the writing sample.

Kyo No Oto Imayouiro

Kyo No Oto Imayouiro

Kyo No Oto Imayouiro

Kyo No Oto Imayouiro

Kyo No Oto Imayouiro

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Kokeiro

I was trying my best to save this review for last, like the fountain pen ink version of the marshmallow test, but my EQ is low haha. I’ve always had a soft spot for olive green inks, especially those that have a lot of the yellow component in them. This is why the Kokeiro ink from the Kyo No Oto line is so attractive to me.

Kyo No Oto Kokeiro

The color reminds me of a cross between Alt Goldgrun and Diamine Wagner. It’s the color of shelled pistachio nuts. It’s light yellow-green in some places, darker green in some, with a little bit of that gorgeous golden tinge that gives it a nice glowing quality. The color is really eye-catching, especially on ivory-colored paper. The flow is quite wet. I used it in my Sheaffer Lifetime with a fine nib, and it flowed really well. It dries moderately fast at about 20 seconds on tomoe river paper. It’s saturated enough to make it easy to read, it’s a good enough ink to use for daily writing. It’s well-behaved and has very expressive shading. The shading is quite obvious even with a fine nib. It’s not water resistant, though it does leave behind faint light green lines. If you like olive green inks, this is such a nice color to have. Here are a few close ups of the writing sample.

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyo No Oto Kokeiro

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo No Oto Aonibi

Kyo No Oto Aonibi

Here’s another nice blue ink from the Kyoto ink samples I got from Everything Calligraphy. This one’s from the Kyo No Oto line, and it’s called Aonibi. It’s a dark blue ink, quite in the neighborhood of blue black, though not too highly saturated. It’s a nice ink to use for daily writing, even for work because it’s a sufficiently-saturated, well-behaved kind of blue. Not a crazy shade, just a dark blue ink that doesn’t necessarily stand out except for the subtle shading. The drying time is pretty fast at about 10 seconds, though I did use a European fine nib for the writing sample. I would put the flow at slightly dry to moderate. Here are a few close ups of it.

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyo No Oto Aonibi

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed:

Review: Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Here’s the last of the Kyo-Iro line of Kyoto Inks that I’ve tried. The next inks linked up for review are all Kyo No Oto inks. This one’s called Flaming Red of Fushimi. At first I was surprised because it was neither flaming nor red when wet. The ink’s color got darker as it dried, and under natural light, the red component is much more obvious. It does start out as a cross between pink and peach, like the color of pink guava flesh or four seasons juice. Pink that leans more on the red side. When in a low-light surrounding, the ink looks less-saturated and more pink, but in natural light, it does become a more pronounced shade of red. The color is pretty interesting in both cases. I don’t think I have tried an ink that is similar in hue. It’s eye-catching, to say the least. It’s a moderately saturated ink, so I would recommend that you use it with a medium nib at least, or something that writes wet, so that you can appreciate the character of the ink. The shading is expressive and gorgeous, with shades of peach and dark pink. It flows a bit drier than moderate, though not unpleasantly so. I just feel it’s not as wet as the other Kyo-Iro inks I tried. The drying time is more or less the same, about 15 seconds. It’s not water resistant. Here are a few close up shots of the writing sample.

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyo-Iro Flaming Red of Fushimi

Kyoto inks are available at Everything Calligraphy.

Here’s a roundup of all the Kyoto Inks I have reviewed: